Take Picasso's famous bull: a series of engravings in which, step by step, the bull is stripped of muscles, shadows and volume until only a few lines remain.
Picasso was not born 'modern'. He was born academic to the core.
Only those who know form can afford to deform it without lying.
If you look at Les Demoiselles d'Avignon, Picasso makes a violent gesture:
he breaks up the figure, breaks the single point of view, looks at the body as if it were an object you can turn in your hands.
Getting to the essential is a journey that takes years.
It's like writing a three-line poem that weighs as much as a novel.
That's what I meant.
