rich1.0MadMunky2140 (npub186…59hv0)https://nostr.ae/npub186k25a5rymtae6q0dmsh4ksen04706eurfst8xc5uzjchwkxdljqe59hv0njumphttps://nostr.aeShare Your Bitcoin Journey: Episode 14 nostr:nprofile1qqs2pee498sykjts5xz7se9cne7ku8k3fr7lpqupk4q2cqs2wskx94gqe87w5 LION KING meets MAD MUNKY nostr:nprofile1qqsp6g76q73q7803sk560dwp2r3qrsr6ftjzvgrrzanhw8h5kv53m9cxgdcel ----- nostr:nprofile1qqsrat92w6pjd47uaq8kact6mgveh6l8av7p5c9nnv2wpfvthtrxleqxytxwn for mi side such a pleasure and honor to share my story with this community. FULL EPIZODE : https://youtu.be/11JVdjVwWNI In this conversation, Bitcoin For The Arts founder Dion Wilson sits down with MadMunky2140, woodworker, creator, privacy advocate, and one of the founding voices of the 2140 movement. He builds physical Bitcoin art out of oak, epoxy, and hard wax oil, sells on a Bitcoin standard, and carries cypherpunk values into art, music, and culture through the 2140 collective. His work includes Manifesto 2140 pieces, Nakamoto cipher boards, Bitcoin coffee tables, and limited editions like Mini Nakamoto. Beyond the objects, he builds education and peer-to-peer culture on Nostr, Wavlake, Rumble, and 2140.wtf. This episode is craft-heavy and conviction-heavy: from maker to Bitcoiner, why wood and resin fit a money that cannot be printed, what privacy has to do with artistic freedom, and what it looks like to sell culture peer-to-peer on a Bitcoin standard. IN THIS EPISODE: - COVID, privacy, and the April 2021 moment that forced a re-education - Losing a chef job, teaching himself woodworking, and sending signal in oak - Living between London and Prague, and building community on Bitcoin and Nostr - Why artists can spread the message when people are stuck in comfort - Manifesto No. 2 and art as activism after October 7 - Discovering Bitcoin as a privacy-first thinker, then practicing it - When Bitcoin stopped being a thesis and became daily practice - Nostr as a permissionless protocol (not a platform), keys, and responsibility - What the 2140 movement is: art, music, meetups, and a parallel culture - Why Bitcoin needs physical art, not only memes and PDFs - Manifesto 2140 series: Palestine, Assange, banks, memes as weapons - Cipher boards, coffee tables, and Bitcoin culture in everyday objects - Privacy vs Instagram/Twitter, shadow bans, and practicing the change you want - Selling peer-to-peer art on a Bitcoin standard through 2140.wtf - What artists see that conference-suit Bitcoin culture still misses - Music, mixtapes, Wavlake, and leaving a signed signal on permissionless rails - A five-year vision: keys for his kids and tribe to a world built by cypherpunks - What a $500 to $2,000 Bitcoin micro-grant from BFTA would unlock (content, cameras, 2140 Sessions) SUBSCRIBE #BitcoinForTheArts ISSIU 23 ................................................. https://bitcoin-for-the-arts.beehiiv.com/p/bitcoin-for-the-arts-issue-23 ................................................. @Yonat_Vaks @Timechain_Art_Magazine @Nomishka @2140.wtf @Hope_With_itcoin @Proof_of_Work_Magazine @Thomas_Forsyth @Proof_of_Work_Magazine @HiQ @Bitcoin_FilmFest @btc_prague @Bar_No.7_-_Prague @Tommy @Bitfest @Nostrshire @Laan_Tungir @inpc #interview #podcast #remixculture #introduction #woodworkin #nostr #permissionless #protocol #wood #craft #art #Bitcoin #monero #btc #xmr #proofofwork #Palestine #FreePalestine #cypherpunks #FookdaBanks #Prague #Pragh #BitcoinForTheArts