In its first three seasons, “Industry” racked up a whopping zero Emmy nominations. That should change after season 4, where the show’s creators, writes Chris O’Falt, “dug into the bottomless pit of ambition of its characters to explore the intersection of power and money, unearth the rationalization for autocracy, make us feel the stifling contrast of an aristocratic class system in England, lay bare the death of journalism’s ability to pierce through corruption, all while backdooring a Ghislaine Maxwell storyline into the finale to supply yet another surprise gut-punching ending.” Read more of O’Falt’s story from [@IndieWire](https://flipboard.com/@IndieWire ):
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