and so on, and so on

hi!

Last Notes

https://eientei.org/media/d11ef76d7935eb261895711f2df7fc00f93c36387c69496650332fa0afa4f5e5.jpg?name=jahy.jpg

2023-08-07 21:03:21 CEST

>be me
>me bee
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2023-08-04 22:47:56 CEST

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@npub1mjr…w8z3 @npub1yda…lmlr this is what i get for being friends with someone smh. and no
https://eientei.org/media/f7730095a9d1333649766fe8aa4ff32c22c7bf7b26fa429d363ac6d668eb1374.png?name=kick.png

2023-08-04 22:44:39 CEST

is @npub1yda…lmlr gay or european?

2023-08-04 19:15:34 CEST

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@npub1pt6…6mf6 ACT V
>That is hot ice and wondrous strange snow!
>What are they that do play it?
Hard-handed men that work in Athens here,
Which never labored in their minds till now,
And now have toiled their unbreathed memories
With this same play, against your nuptial.
i think often one who hasn't labored in one's mind might produce something more wonderful than one who spends all their time doing nothing but that. it can be that labor stops one from becoming neurotic; what they produce will certainly be more innocent and genuine in a sense:
>I will hear that play,
For never anything can be amiss
When simpleness and duty tender it.
also, something that's 'so bad it's good' can never come from a cynical place or one where to be seen as bad is the intended effect. it has to be a completely genuine failure to achieve that.
>O wall, full often hast thou heard my moans
For parting my fair Pyramus and me.
My cherry lips have often kissed thy stones,
Thy stones with lime and hair knit up in thee.
they really really love this wall.
>O Pyramus, arise!
Speak, speak. Quite dumb?
Dead? Dead? A tomb
Must cover thy sweet eyes.
the quality of this play-within-a-play's writing contrasted with the quality of the rest of the play reminds me of reading an excerpt from a gnostic text and contrasting that with the bible
>For when the players are all dead, there need none to be blamed. Marry, if he that writ it had played Pyramus and hanged himself in Thisbe’s garter, it would have been a fine tragedy
oh wow.
>So shall all the couples three
Ever true in loving be,
And the blots of Nature’s hand
Shall not in their issue stand.
though the world often tries to prevent love from taking its course, in the end things tend to work out.
>That you have but slumbered here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend.
nicely tying into the name and general themes of the play. all fiction is a dream that we use to distract ourselves and enjoy the feeling of these stories playing out, things we'd rarely or never experience firsthand. and when they do happen, life itself starts very much start seeming like a dream. a very sweet conclusion to the play.
https://eientei.org/media/b6b3d3cf9c04186445fa222799e1db16801e1816611cb412997c934d7d2c31ff.jpg?name=__konpaku_youmu_and_konpaku_youmu_touhou_drawn_by_purin_jiisan__f8a30a92feaaa2f517dfa65e661dcb2c.jpg

2023-08-04 19:11:18 CEST

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@npub1pt6…6mf6 short notes on ACT IV
>So doth the woodbine the sweet honeysuckle
Gently entwist; the female ivy so
Enrings the barky fingers of the elm.
a surprisingly apt comparison. there are different types of vines as well, from strangler figs to vanilla orchids. they affect the tree they latch on to in better or worse ways, like when some people describe another's love as suffocating.
>But, my good lord, I wot not by what power
(But by some power it is) my love to Hermia,
Melted as the snow, seems to me now
As the remembrance of an idle gaud
Which in my childhood I did dote upon
imagery of spring, fitting with when the play takes place and with the lunar/solar theme in connection to love.
>These things seem small and undistinguishable,
Like far-off mountains turned into clouds.
often how love appears after the fact.
https://eientei.org/media/291d5d3fbabbae1b0525c2f371be3bfe00d31207f6d4b362eb656bb6d88d53f0.jpg?name=__konpaku_youmu_saigyouji_yuyuko_and_konpaku_youmu_touhou_drawn_by_hoshii_1213__e43ce48a9173705c386f62f513755e3f.jpg

2023-08-04 19:08:54 CEST

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@npub1pt6…6mf6 ACT III opens with some funny moments as the performers think of disclaimers to put before their play, like saying the lion isn't really a lion or that the person playing the role of pyramus doesn't actually die, to avoid scaring the ladies. they settle on the lion speaking and politely introducing himself as the man playing him before making a million other changes. lions actually used to live in greece even after the classical period ended... anyway i have a feeling the play they're writing is going to suck
>The moon, methinks, looks with a wat’ry eye,
And when she weeps, weeps every little flower,
Lamenting some enforced chastity.
what a beautiful characterization and association, once again.
>We, Hermia, like two artificial gods,
Have with our needles created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key,
As if our hands, our sides, voices, and minds
Had been incorporate. So we grew together
Like to a double cherry, seeming parted,
But yet an union in partition,
so hermia and helena were very close, now drifted apart by circumstances of love
>And made your other love, Demetrius,
Who even but now did spurn me with his foot,
To call me goddess, nymph, divine and rare,
Precious, celestial? Wherefore speaks he this
To her he hates?
"i love you!"
"who put you up to this?"
>Away, you Ethiop!
>Be certain, nothing truer, ’tis no jest
That I do hate thee and love Helena.
in this play hate is presented as the opposite of love; if you don't actively love someone you must hate them. in reality the opposite of love is indifference, and in fact love necessarily carries much hate within itself, and the two are inextricable.
>“Little” again? Nothing but “low” and “little”?
Why will you suffer her to flout me thus?
Let me come to her.
not often you see some teasing on physical attributes like height, at least not conducted like it is here among the two women.
>And yonder shines Aurora’s harbinger,
At whose approach, ghosts wand’ring here and
there
Troop home to churchyards. Damnèd spirits all,
That in crossways and floods have burial,
night is a magical time. it came to mind here that reading a play has an advantage over seeing one performed. when you go to see one the set-designers are responsible for creating the places where the play takes place, but reading it you can imagine it detached from any physical stage, any hall, any audience. the actors aren't actors, they simply are the characters, and portray themselves; grassy fields and castles and towns, you can imagine these places that could never perfectly be recreated on a stage in your own head.
https://eientei.org/media/48b1a5ae15505e31fdfabec12754c55548b11a57b623cb32a182db1eb02e4433.jpg?name=Konpaku.Youmu.600.1806517.jpg

2023-08-04 14:37:47 CEST

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@npub1g0u…3vfw well, weird i will accept
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2023-08-03 23:32:55 CEST

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2023-07-31 05:56:08 CEST

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@npub109x…wvvl @npub1fsq…s56e @npub1g6k…7vjt i've read two, ender's game and 1984

2023-07-31 05:51:35 CEST

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@npub1g6k…7vjt @npub1fsq…s56e *sips wine* yes, it truly is a wondrous place
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2023-07-29 07:47:56 CEST

@npub1pnp…52zw ow :noway:
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2023-07-19 18:51:15 CEST

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@npub1pnp…52zw wholesome bot arc

2023-04-25 07:13:01 CEST

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#[0] #[1] all timezones other than my own are mental illnesses

2023-04-23 08:29:58 CEST

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#[0] #[1] #[2] mercurial is trans??

2023-04-13 21:13:00 CEST

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#[0] #[1] #[2]
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